The first time I ever took the stage as Faux King Awesome was a little more than a year ago on the Charlie Horse stage. I have always enjoyed performing since I was a little kid, writing, directing, performing and charging family members to see my silly shows in my grandma’s basement. Later, in college I became obsessed with sensational multimedia performance art, throwing absurdly huge parties with midnight performances at my house in an Orthodox Jewish neighborhood just outside of Detroit. I would inevitably answer the door wearing a suit and tie with no pants to the startled amusement of local police, asking me to get the drunks inside and turn the music down. Neighbors would awake to plastic pigs and flamingos on my roof and front lawn, gobs of food everywhere, other party remnants laying about. But the party was always a success. My goal was to entertain folks. I never wanted them to forget what they saw; I wanted them to remember these parties forever. Showmanship. Realness. Fun.

Charlie Horse embodied the same vigor, imagination and rebellion that my parties did; so it’s no small wonder that after discovering my alter ego I approached Anna Conda to see if she’d let me perform. I said, “I have this idea, I don’t know if it’ll work, but I wanted to know if you’ll let me do it.” Through a cocktail or two Anna told me, “I don’t care if it doesn’t work.”

Low expections? Try NO EXPECTATIONS! That works for me! Not that I wasn’t nervous my first time, but at least it didn’t matter if I failed. I had my foot in the drag door, I did what I loved and people actually thought it was cute. I’ll take cute. Then I continued on, conjuring up all kinds of ideas that I was allowed to realize on that two-pool-tables-together stage. In less than a year Anna gave me my own pre-show, every last Friday. Reverend Awesome’s Tent Revival Show. Wow! I was shocked. I never expected this opportunity, way outta left field you know?

I liked Charlie Horse. I loved it. I “got” it. It’s irreverent, retarded, fierce, insane, just plain awful charm/performances. And I feel beyond lucky to have shared that stage with such amazing performers: those homegrown like myself, and also drag legends, folks from the famed Trannyshack stage, Aunt Charlie’s Lounge, etc. I learned a lot from these folks and I am grateful. They’re all very funny and I have several fond memories hanging out back stage, helping each other get ready, fastening buttons, spraying wigs, touching up makeup, dodging sewage dripping from the ceiling, pissing in the basement, jumping into the cooler after burning it up on stage. I spent some nights pacing in the basement, waiting to go on, others staking out my position at the foot of the stage to engage the performers with my camera. And I always had fun regardless of the performance caliber (some nights were admittedly just bad) and this is what made it great. Realness, a truth in the air, the ability to laugh at yourself.

Post-Trannyshack, Charlie Horse was the last of the old school alternative drag parties that kind of held vast drag factions together. I’m not saying (and I don’t think) that different groups are adversarial, but in the year and I half that I spent clicking picks and roaming about The Cinch I saw just about everyone there, whether they performed or not. This collective memory is important as it will shape the future of what we ALL do going forward. There are civic powers that want to control what we do and where we do it. The developers and corporations have plans for the city, big plans, and the better educated you are about what they are proposing the better. Make sure you do your homework before you vote next time, especially if you voted for Newsom last time. READ THE GUARDIAN EVERY WEEK!!! It’s the best local news. Ask me questions! I love it!

In the end we ALL have to work together to keep what is important to us. I suggest taking more drag to the streets. Hoku Mama and my Tiara Sensation drag family led a hilarious and inspired group of performers through the city last month. And although we were met with threats from authorities at every turn, we still created a visibility that can’t be denied, and laughter and joy that will be the highlight of many vacations of tourists who clicked our pictures and applauded our delightful antics. Why not just have a weekly performance in front of city hall? All you need is a sound system and a dream. Do it guerilla style.

I would like to thank Anna Conda for slinging drag every week for over five years in a dirty Polk Street saloon, and for her courage and tenacity when it comes to voicing herself politically, motivating others to take action as well. Thank you!

Adieu Charlie Horse, Adieu!

Faux King Awesome