Well then what is it? What is it when you’re not sure what it is? Is it art? What is art?

Does it matter? Does questioning it matter? Who cares?

Personally I don’t effen care how people get their rocks off on stage as long as it’s funny, scary or sad. I don’t really care if anyone lives or dies on that stage as long as I feel something. Isn’t that what it really is? It’s really about you as a voyeur, an audience member, being pleased, satiated. I go to shows to be challenged, to be moved, to laugh till my head hurts, to heckle, to be inspired. But I go to Tiara Sensation on Monday nights at the Stud to celebrate the retarded things that make life so amazing! Clearly Tiara Sensation has become the most retarded drag night in the city. The infamous Project Runtover, the once a month dragstravaganza that pits multiple teams of models/designers against each other to win the most infantile fashion (drag) show you’ve ever seen. The Bathhouse Betty nights with themed drag show and “special maze” for clothing optional encounters. The once in a while game shows hosted by Hot Gloobanks, most recently Family Screwed! Oh, and let’s not forget that this dance floor comes with a craft table for creating your own tiaras. There was a weenie roast last week and S’mores this past week. Is this really drag? It has to be experienced to believed. Trust.

The creators of Project Runtover Vivvy Anne Forevermore, DJ Down-E, Glamamore and Hot Gloo have brainstormed a night that dares you not to do drag. When I first heard they were doing this I thought it was brilliant, but did not think anyone would show up to do anything. They had over a dozen performers. It was a hit! Everything from spoken word, dancing, drama, smoking, vogueing, screeching cats, and live singing. The show went on forever and was hysterical, crescendoing into a drag number that took everyone outside into the parking lot next door.

Vivvy Anne Forevermore and Elijah Minelli opened the show with a 10 minute dual lip synch to Elizabeth Taylor’s Martha in Who’s Afraid of Virginia Woolf.  Applying makeup, tossing back a slew of shots, grimacing, glaring, fist-clenching, screaming, working the room, using the whole place as their stage, in our faces, in unison with each other. In the end the two Martha’s held hands. It was funny, mesmerizing, and beautiful, but mostly retarded.

Vivvy Anne readies herself as Elijah Minelli looks on

The Marthas race to the bottom... of a shot glass.

Viv and Elijah think Richard Burton has another thing coming.

The Marthas unite.

The rest of the night ceased to amaze, a cavalcade of drag/not drag performances that dazzled the imagination, but mostly were really retarded. Such varied performances ranged from spoken word to spoken lip synch, from interpretive dance to interpretive modeling.

Opalteen/Hot Gloo rocks out like Steven Tyler.

Dam Dyke gets philosophical and asks "What is drag?"

Monistat poses, vogues, smokes, glares, shifts and models all at once.

Ferosha Interprets for us through dance.

Chastiti does Liza. Hey that's drag! How'd that get in there?

Rahni pumps it up. Back flips, finger-pointing live singing realness! Get it!

Mr. David lays it out for us real plain.

The true highlight of the night came from Beth Amphetamine’s outdoor parking lot performance atop a moving vehicle.  Lip synching “Hold On” by Wilson Philips, Beth worked the trashy crack whore drag, climbed onto her own car and held on tight as it moved around in circles. Flava Flav helped out with art direction and general dope-cred factor. “Dontcha know things will change, things will go your way…” Work!!!

Beth works the tranny hooker realness.

Adding Flava Flav to any music video changes everything!

Flawless car-top performance.

So this is drag. It’s been re-defined as not-not drag. Irony upon irony until it just doesn’t matter anymore. I wanna give a 5-star shout out to the folks over at Tiara for making this such a fun and unexpectedly great night of the most random performances. Tiara really puts the art in retarded.